Showing posts with label show and tell. Show all posts
Showing posts with label show and tell. Show all posts

Monday, December 15, 2008

Show & Tell: Collections

A little late is better than never... I made that up myself. I wasn't sure if scanning my precious, stuffed Elephant was a good idea, so instead I have these cute odds (not the ends) from my collection. 
















One is a beer coaster for Delirium Tremens, playing on the idea of the pink elephant which is quite witty for a beer company. The other is a bracelet from the Buffalo Zoo in NY that reads, I (heart icon) Elephants (elephant icon). Other things in my elephant collection:
  • Statue from Thailand
  • Statue from the Dominican Republic
  • Wooden candle holder
  • Photo of an obelisk that had an elephant at the base of it in Rome, IT
  • Photo of me with a large elephant statue outside of a famous museum in Paris, FR that I can't remember the name of
  • And a tiny little plastic statue that I think came from a gumball machine
I'm amassing quite the collection from people (most of the above were gifts), although I urge them that I'm much more interested in live elephants and not replicas, but they just don't listen. 

Friday, December 5, 2008

Show & Tell: Unnecessary Process

Recently, I saw the new Jose Cuervo ads for their Living Notoriously Well campaign. On first watch, I found them really entertaining. There have been differing opinions on their entertainment value posted on various blogs, but I'll let you decide. To watch the ads go here: livingnotoriouslywell.com Enter your birthday and then click on the right under televised notoriety and watch the two commercials. I thought these were unnecessary processes, particularly How To Negotiate because one of the steps is: have a back up plan. What sort of process negates its worthiness by saying, this may not work, have a back up a plan. It's as if the step to a cake recipe was, buy cake from store just in case. I know it enhances the humor in the ad so I do understand its purpose, but generally speaking, I feel like a well written process should cover all your bases in a way that you'd be successful in the end... but that's just me.

And here is what I am bringing to class, because I found it amusing. The steps show (1) a hand crumpling this piece of paper, (2) the hand hanging the waded paper onto a christmas tree. 

Sunday, November 16, 2008

Show & Tell: Favorite Words

Here are some of my favorite words:

RE words: revelation, reactionary, revolution
*These words sound strong and round.

Words whose synonyms I detest: flatulent, skivvies
*I loathe the word fart. And dislike the word underwear. I'm also not crazy about diaphragm, like... and others I will add when I think of them.

Words with a story: wonderful, via
*The first time I saw the movie from the Lemony Snicket (sp?) books, I remember being so content when I left. I loved how it was so imaginative and there was so much child like wonder. And then I realized it was full of wonder aka wonderful. The meaning of the word really hit home in that very moment, and I realized it wasn't just a synonym for good or hapy or pleasant. A character from Jitterbug Perfume (by Tom Robbins) argues, "There are no such things as synonyms!"
*The story for via (pronounced the British Vie-a, not V-a) is that I heard someone talking on NPR and they say vie-a and it took a moment to register what they were saying and it was probably the first time I was aware of the differences of English and the significance of the pronunciation. Bold

Bold
Words I mispronounce: mountain (moun'in) or any word with a strong 't' in the ending syllable, it tends to get skipped or rounded out to a 'd', when (win), pillow (pellow). I find it funny that I mispronounce them, so I don't mind at all, unless I'm talking to someone academic/scholarly and then I feel a bit like a joke.

Monday, November 10, 2008

Show & Tell: Narrative

For last week's class, I brought a Tretorn ad that was a photograph of a boy chasing a girl on a bike. I thought it might constitute a narrative, but it turns out the image itself isn't a narrative, it's a visual snippet, and as the viewer I create the narrative (he catches the elusive girl). Although, I think it was close to a narrative because it did show action . I think the main thing that prevents it from being a narrative is the fact that it didn't show a progression of time. I suppose that's the difference between vignette and narrative. Vignettes are snippets. Narratives include time.

I guess an important thing to discuss is to define what narrative is. Dr. Gisbon says it has to include two characters, conflict, time... maybe some other stuff. The dictionary defines narrative: a story or account of events, experiences, or the like, whether true or fictitious. So I think the most important part of narrative is that it's an account of events (plural!). So not characters, conflict, etc., but time.

Which brings me to this Candian Club whiskey ad, which is one of my favorite ads. I think this is a narrative because we see the images as retelling events, and the headline "Your mom wasn't your dad's first" is the thread between the images. With both these elements there is a narrative within the ad, rather than being supplied by the viewer--although, the viewer could easily add more to the narrative with some imagination.

Saturday, November 1, 2008

Show& Tell: Typography

For show & tell this week, I brought in Mark Danielewski's "House of Leaves." There's a lot going on in this story, and the different typefaces help distinguish between the three concurrent narrators.

In addition, the typography begins to get crazy as the events within the house become crazy. Sometimes words will run up and down a page to mimick movement along a staircase, or only a single word will be on a page so you feel the narrator's increasing isolation, or the type will be backwards to show his movement through a place. This treatment is always a thoughtful decision that reflects the story--it's never done as a decorative element, it's done because it adds to the story. In addition, there is a page of braille, there are crossed out lines in red, missing text, text overlap, etc.

It's very fascinating and even though it can get tedious to read a footnote that extends into a story on the following pages, and then turn back several pages to get to the original story that had the footnote; and to turn the book 360 degrees while reading, it's quite the experience that adds to the act of reading. I suggest reading and trying it to see how it effects you.

Monday, October 20, 2008

Show & Tell: Classification


It's not super exciting, but my classification this week was from Real Simple. The article classified things that cause you to lose your focus: lack of sleep, stress and anger, age and genetics, and modern distractions. Then they tell you how to regain your focus in each of the categories. I liked that they weren't classifying objects, but more so, I really liked their photos that went with the spread. They're done by photographer, Nato Walton (the article is by Kristyn Krusek Lewis). I like these photos because they augment the article's concept. It's very subtle, but look what being distracted causes: mismatched shoes, pouring salt instead of sugar and burning your ironing. It's just that the placement of the pull quote makes you see the mismatched shoes. The circle on the coffee mug makes you see the salt stream, and you see the red dress first but then you see the burn mark pointing to it. So it's all very subtle but it works.

(Side note, man I dislike how the photos display/layout in this template blog.)

Saturday, October 11, 2008

Show & Tell: Call to Action

My calls to action are from the Foundation for a Better Life.
I'm a huge fan of these billboards. They tend to hit home in the heart area.



The call to action is gentle. Pass it on. Be a better person. But I really like having this reminder amid the masses of McDonalds billboards and cheap motels along the highway. I don't think people are inherently good--well I do sort of--but I think people should still put the efforts into actually being good people as in, actually doing good things. And I feel like what the Foundation considers "good" is in line what I think is good.

However, recently, I found an article that said the FFABL was listed to some rich oil tycoon: article here. Thanks for crushing my hopes Portland Indymedia. I haven't fully read it yet, so I'm not sure how or if it will change how I view these billboards. Can bad people do good things? Is it deceptive that these ad campaign, perhaps comes from someone who does not represent them?

And interesting enough, I received this quote in my inbox today:

Journalism is publishing what someone doesn't want us to know, the rest is propaganda. -Horacio Verbitsky

which I thought was interesting/relevant, because Portland Indymedia calls the ads propaganda.

Friday, September 26, 2008

Show & Tell: Favorite Sentence

My favorite sentence comes from my favorite book, Nadja by Andre Breton.
She told me her name, the one she had chosen for herself: "Nadja, because in Russian it's the beginning of the word hope, and because it's only the beginning."
This is a great sentence because it has the same whimsical tone that the book does, that it is all just the beginning (Breton began the surrealist movement in writing.) He easily could have written, she told me her name was Nadja, she said it was the beginning of the word hope in Russian. Breton's sentence has rhythym. I heart this book. The premise is, a lot of rambling followed by about thirty pages of Breton meeting this woman Nadja in Paris (an actual account from his life) and the following few days they spend together going to cafes and such, again followed by more rambling. One of the major questions surrounding the book is, is Nadja real or did Breton make her up? Knowing this, makes this sentence doubly interesting because, is this the name she chose for herself or did Breton name her? I lean towards her being the subconscience of Breton.

Some runner ups:
Gradually, however, we are devoured by parents, gulped by schools, chewed up by peers, swallowed by social institutions, wolfed by bad habits, and gnawed by age; and by the time we have been digested, cow style, in those six stomachs, we emerge a single disgusting shade of brown. from Jitterbug Perfume by Tom Robbins
Although, I don't care for Robbins' books, I'm not sure why I don't like them, I am very aware that that man knows how to turn a sentence.

She was only the dead-leaf echo of the nymphet from long ago - but I loved her, this Lolita, pale and polluted and big with another man's child. from Adrian Lyne's film, "Lolita" based on Nabokov's novel of the same name
This movie quote is derived from multiple, long sentences in the book. I prefer this succint version. I love the description of a "dead-leaf echo."

Saturday, September 20, 2008

Show & Tell: Description, Part II

Oh, and I absolutely have to share this too, because I realize how well it fits.

William Carlos Williams is this great poet known for brevity and density in his writing. (He's the guy who wrote the poem about the plum in the ice box, which most of us had to read in high school.) He's describes with great precision.
And then there's, the painter, Charles Demuth, who I don't know much about. But I do know, that he painted a picture of one of Williams' poems, and I absolutely love it and it was one of the first pieces of art that I really liked and understood and felt touched by, and wasn't just told to like by some authority figure.

Here they are:

The Great Figure
Among the rain
and lights
I saw the figure 5
in gold
on a red
fire truck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city





Williams' poem is a description of a moment (among the rain and lights) and an object (figure 5 in gold, red firetruck). The verbs do a lot of work too: clangs, howls, rumbling. I think Demuth captures this poem in an abstract but visually descriptive way--the sizing of the 5 creates movement, the shadows on the edges are the dark city. And something I find humorous about this piece, Demuth put Williams' name and initials all over the painting, as if paying homage.

Show & Tell: Description



















Excerpt from Elaine Scarry's The Body in Pain: The Making and Unmaking of the World.

What I found so fantastic about this book is that, Scarry's main point is to prove an argument, but she can't do that (well) without filling the book with descriptions because of the subject matter.

Most readers, don't understand what torture is, but through her clear descriptions it becomes more accessible to the reader, and thus her argument becomes more accessible.

She uses a lot of concrete nouns, verbs and senses, and I think the Solzhenitsyn example also enhances the description.

Saturday, September 13, 2008

Show & Tell: Inspiration


I love wine. I love wine labels. Here are some samples of the variety of labels. From left to right: Spain, Australia, France (bottom). And here's a plug for Molly Dooker because I think all their designs for the different wines are fabulous (they have three "sets"), and there web site is great so check them out: Molly Dooker wines

What I like about wine labels so much is how important they are in the wine world and how they work on so many different levels. For some wine houses, they haven't changed their label in decades and it's how consumers distinguish their product from others. 90% of people walk into a wine shop and buy based on labels. They are works of art. They are government regulated to display certain information. A label can signify the location of origin, from Italy to Australia, or Burgundy to Cotes du Rhone. Labels compel the audience to feel a certain way about the wine--humorous, modest, elegant--regardless of reputation.

I think creating something that is so multifaceted in function is good design and that's inspiring.