Tuesday, December 8, 2009

New Personal Logotype

Since the summer, I've been working on a logo. And I've come up with plenty. Unfortunately, they've run the gammit from clip art-ish to so-so. I'd like it a lot once I was "finished" with it, after tweaking it for hours. But I think I finally have one that I'm ready to share. I'm pretty happy with it. I haven't decided on a color palette yet, so for now, you get to see it in it's rawest form: black on white. (The best and true way to judge the value of a logo.) Please, feedback, gimme gimme gimme!


Maybe you noticed that those are actually two different logotypes (good eye!). Or at least two different typefaces. The first one is Trade Gothic in light which has a great 'g' (not shown). (I bring up the 'g' because my variations of this logotype include the words design and photography.) The second typeface is Drescher Grotesk BT in Light which has a great ampersand (not shown). I think I lean a bit towards the 'a' in Drescher Grotesk as well. What do you think?!

Whatever words of wisdom or catty critiques you might have, I want to hear it all. This is my first time around and I'm still working on it. So I won't take too much offense. Thanks!



Monday, November 30, 2009

The Client

Recently, I've been thinking a lot about the designer-client relationship. I've had some really great clients who love my work and trust me and pay me, and also some awful clients who, from my point of view, have lied and cheated me throughout the whole process.

Really I'm just wondering--how do we talk to our favorite clients? Do we act as if they're friends, telling them personal details? How do we talk to the difficult ones? Do we play the alpha-dog? How do we educate them? Is it even our job to educate them, or do we just ignore them and move to the next client, leaving them to harass another designer?

Here's a pretty amusing video on the client-designer relationship:



You can also read amusing stories of clients from hell, at Clients From Hell.com.

Please share your stories and insights about clients in the comments.

Wednesday, November 4, 2009

Decapitated Panda -- Good Product Design?

I've been meaning to post this for a while, but haven't had the chance. And tonight I do. A light-hearted romp into my life if you will. For a long time, I was running all my schoolwork (design heavy stuff) on a 128 MB USB. Seriously, I know. Then I found out how small that was and how cheap biggers ones are that I upgraded to a Tribeca 1GB. And I couldn't resist buying the super cute panda! (It was much cleaner with paint fully intact when I bought it.)


And I took it home and unwrapped it from it's indestructible plastic casing, and I pulled its head off. --Wait, what?! Seriously. Tribeca, or whoever, designed the USB so that in order to use it, you had to pull off the panda head to reveal the USB port.


And now my adorable little panda is a decapitated piece of metal--gasp--robot Panda! (That joke would make more sense if you could see the body/USB part of it. Oops, didn't upload that photo. But robot panda was a great joke for it.) The whole point of this blog is just to say--wouldn't it have made more sense to make the feet the part that comes off? Because then you'd plug in the panda USB and a happy panda face would be looking back at you, instead of just a panda body. Strange indeed.

Side Note PRO: I really do like how the little light between its feet glows red. That's pretty cute.
Side Note CON: The panda body is a little chubby, because you know, pandas are and this is obviously a close to real life replica. But this extra pudge means the panda USB won't fit into the USB ports on the side of the MAC keyboards and that is sad.

Monday, October 26, 2009

Pantone: Color Leader, Cultural Failure

I want to start by saying, I love Pantone. I love each tiny chip of perfect alphanumeric code of color. I envy people with Pantone mugs and bookbags. And I am aware that Pantone is an industry leader in terms of color and design. It's for that reason, that I'm concerned about how Pantone is choosing to lead the industry culturally.

Pantone recently sent me, at my request, a bunch of promo materials for their newest products and programs. They sent me collateral on Pantone Goe, the Pantone Chip In program, Pantone Fashion & Home, and Pantone's "Less Mellow, More Yellow" booklet. (I've since been to the site, and have not found a way to request these samples again.)



If you didn't know, Mimosa is Pantone's color of the year 2009. Hence, the Mellow Yellow booklet, to highlight all the various emotional connotations of the color yellow beyond mellow: aggressive, playful, zesty, surprising and intimate. I certainly agree with Pantone that yellow can be all of these things. However, I do not agree with how Pantone chose to represent these many shades of yellow (see below). My commentary continues after the images.



It's late, so I'm going to keep the critique simple and short.

The aggressive photo
plays with the stereotype that black men are aggressive. But particularly because black "gangster" men are aggressive--note the bandanna, tank top, chain necklaces and tattoos. What really makes this offensive, is that they didn't even shoot the man in an aggressive pose such as head on with direct eye contact. Instead, he is shot at an angle, and his eyes are looking to the viewer at an angle--suggesting that he is responding to our gaze, not directing his own. They took all the "aggressiveness" out of this photo through the subject's pose, and relied on his cultural markers to identify him as aggressive.

Less offensive photo idea:
Shoot an image of a person head on, eyes straight, in what appears to be some type of business suit. The tie could be yellow.

In the playful photo the woman is nude. She has no gaze because her eyes are shut. Her mouth has the hint of a smile. (I'm surprised they didn't shoot her mouth slightly open.) Her body positioning is offering itself to the viewer by elongating her neck and turning the head away. She is supposed to be playful, but is portrayed as the play thing instead. Also, the black lipstick, heavy black mascara and yellow band across her neck make this image reek of bondage themes, and she is clearly not the dominating one.

Less offensive photo idea: Show her moving! Show her actually acting playful, and preferably with clothes on.

The zesty photo makes the least sense to me. Again she is nude, because that is important when licking fruit and wearing bananas on your head. (C'mon, bananas? Are they really zesty?) Her eyes are positioned at an upwards angle. She is positioned to be looked down at and upon. Her mouth is suggestive. She's certainly not eating that fruit.

Less offensive photo idea: Show "zesty" foods or zesty behavior. Zesty is not a synonym for sexy. My zesty guacamole is not sexy. Use lemons, limes, peppers, spices. Or show her making a "zesty" face. And zesty face is not equal to sexy pout face.

The surprising photo isn't particularly offensive on its own. But it is offensive when shown with the rest of the series. A white male has his clothes on. He is positioned head on and in control. His gaze is direct. The meaning between the word-surprising, and the image is clear. It is surprising that there's a spoon on this guy's nose. There is no direct (and un-offensive) correlation between the word and the subject in the other photos. This photo is so blatantly different from the others. Why weren't they all shot in this way?

Less offensive photo idea: Make the other photos work better rather than perpetuate ridiculous stereotypes.

The intimate photo completely disregards any subtlety. The photo is a voyeuristic snapshot into the top of a woman's tank top. This photo gives the woman no agency, not even a face. Her mouth may be smiling, but it's not actually clear. She's being viewed from above, so she is looked down at and upon. Her body is being objectified, because it's not the entire woman being looked down at, only her cleavage. The short depth of field and soft focus on this image is completely unlike any of the other photos. And even more ridiculous--there's not even any yellow in the image! Except for the photoshopped flowers and swirls on top of the image. In that case, why use this image at all?

Less offensive photo idea: Intimate doesn't have to mean sex. This photograph could easily work by showing an adult parent coddling a child. Or heck just show a baby with a yellow cloth diaper or blanket--let the intimacy be inferred.

I don't want to forget the woman on the cover (1st photo) who is also nude. She's touching herself in an intimate way. She's not rubbing her neck, she's running her fingertips across it. Her mouth is slightly ajar.

Less offensive photo: Anything.

To sum up: Women are zesty, playful and intimate. Men are aggressive and surprising. Women are best gazed upon and nude. People of color are at their best when they represent stereotypes. And the main point to sum up about Pantone is that they either do not care about the messages they are sending out into society or this is just a huge glaring yellow blemish on their PMS chip.

Pantone's already declared yellow to be much more than mellow--aggresive, playful, zesty, surprising and intimate. Now I'm adding controversial to the list.

What do you all think?

Monday, October 19, 2009

Preserving a Language

Recently @Issue posted an article (Designing A Font To Preserve A Vanishing Language) about Juliet Shen who is designing a font to preserve the language of the Native American Lushootseed tribe. It's really amazing to see the impact design and typography can make on culture.

What was amazing about Shen was that she took their alphabet/sounds (which were being represented by a mash-up of Times Roman and the International Phonetic Alphabet, work done by Thom Hess) and created a typeface for it.

From the article:
Shen recalls, "At the first meeting, one of the oldest of the language teachers said, ‘This is a graceful language, but it doesn’t look that way.’ The sound of the language speaks of the physical environment that the tribe has inhabited – like water washing ashore, wind moving through the trees. My internal design brief was to get rid of an ‘adapted’ look and make it appear as if it has always been.”

Thursday, October 15, 2009

Poster Design

Here's the latest poster for Turn Around Norman. The music is very cool and jazzy (that's not meant in a demeaning way.) I couldn't get away from a sort of 40s film noir vibe. You can listen to some tunes at: We Turn Around.com. So I tried to capture that. Real modern typeface--really, this type is categorized as modern--with some sans serif. Many shades of grey. I went with orange instead of red for readability, but I'm not sure how I feel about that. I think the circles and dots create a neat light effect--lighting being very important in film noir. I don't know... not a total film noir poster but somewhat reminiscent of it, maybe? How'd I do?



Saturday, September 26, 2009

Poster: Creating Music Series

Recent poster I did for the Creating Music Series.













Definitely recommend going-great music, great musicians. (and it's free.) Towson University.

Friday, September 4, 2009

Very Satisfied Customer

I used to big a real make-up junkie. I even wanted to go to beauty school for a while. Things change, and while I'm not as interested in covering myself in pretty colors (or rather, I have less reason to do so) ranging from smoldering to punk, I recently decided, what the hey, I'll go buy some new make-up.

And boy, is it great!!! I got a promo thing in my email from animal friendly, rock n' roll makeup line Urban Decay, and I bought the Urban Decay Book of Shadows vol II. And I was super happy with the product and its packaging.

See photos:

The box: Super pretty, swirly and sturdy. Came with purple ribbon and what looks like foiling or metallic inks.











But there were so many great things inside the box. The peacock print, the large mirror, the pull-open doors, the promo booklet about Urban Decay and oh yeah, the makeup itself.
















It gets better--- there were extra goodies that I didn't even pay for! Jackpot. Purple make-up bag, eyeshadow, eyeliner, eyeshadow primer sample, and mascara. I mean seriously, that is easily worth $30. Most of these were full size products, not sample. Whoo-hoo.










The lesson?
1. People want to get what they pay for. Urban Decay products while not cheap, obviously look like they're worth the money (i.e. it looks like someone took the time to put this package together nicely.)

2. People want to interact with their purchase/company. Sure I could have just gotten a box of eyeshadows and thrown it in my drawer. Instead, I ooohed and aaahed over it, I played around with it opening and closing things, I read the promo booklet, I took pictures of it and wrote about it!

3. People love a little extra something. Not just because it was free, but because it was a surprise.

Urban Decay, you get two big thumbs up from me. (In case it needs to be said, I have absolutely zero affiliation with Urban Decay.)